Unbeknownst to the woodsman, a marijuana stalk has grown 20 feet over the summer. The first snow has wilted its leaves. The woodsman cuts it down and hangs it to dry in his cabin, pocketing his pipe and some hashish. A smoke for later, he thinks, on a path through a meadow, down a road to a frosty dock -- floating out to a raft of sail boats in a lake. He walks down the icy planks, then turns to the grey water sliding murkily around clumps of snowy reeds. In a swift, decisive movement, he jumps in, becomes completely submerged, then rises to the surface, pulls himself up on the dock and sits there, drenched clothes streaming around him. Come, get out of the cold, do come inside, the narrator calls to him, the narrator afraid to set foot on the frosty planks of the floating dock. Why, he shouts back. I suppose, the narrator says, You've heard of pneumonia. The woodsman jumps off the dock and dives under the grey brown water toward a steep bank of tangled snowy bushes, leaving the narrator wondering how she will speak to her character. Is a narrator to her woodsman like a king to his army, or a mother to a son. Devil to disciple, or god to bewitched. Like language to word, or planet to plant?
Published in The Capilano Review 3.12 (Fall 2010) and in Quartermain's Recipes from the Red Planet (BookThug 2010). Reprinted here with permission from the author.
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