A Japanese classic, this slurpable film feast screens in Vancouver later this month.
Documentary pairs with discussion, debate and dialogue at this unique February event.
This film is a long and painful journey, so use the bathroom first.
Sometimes — especially this year — only the film equivalent of junk food can nourish the soul.
‘Toni Erdmann’ and ‘Moonlight’ highlights in a year of compelling, beautiful movies.
Ultimately, a dreary demonstration of calculated, market-tested moviemaking.
These stressful times demand your small-town, screwball dramedy. Welcome back.
And about how language constructs reality. We’ve never needed it more.
In it, three generations of Canadian soldiers reflect on war’s impacts. Let’s hear them.
To understand his campaign, look to the movies and TV.
Skip away from TV this weekend, with much goodness on offer in actual movie theatres.
Trump, Gadhafi, computer utopian idealists... Adam Curtis’s new film tries to make sense of our current cultural moment.
‘Kim’s Convenience’ could even become a Canadian classic. But I have a few questions.
VIFF screening creates collectivity of emotion in audience.
VIFF opener has many strengths, but misses the messiness of reality. Plus, Woodend’s festival picks.
CBC explores implications of Canada’s new medical assistance in dying law.
Amid the standard buffet of blammo and sausage parties, finally: a film to love.
Korea’s latest horror flick asks whether people eaters can digest a hedge fund manager.
Not too offensive, not too feminist, it’s not too much of anything. Still, there are spectres of a decent flick.
The latest from South Korean director Na Hong-jin may be best watched backwards.
Film: Page 1 of 20