- Mary Carlisle is a Tyee Builder. You can be, too.
- Prem Gill is a Tyee Builder. You can be, too.
- Nancy Flight is a Tyee Builder. You can be, too.
- Justin Everett is a Tyee Builder. You can be, too.
- John Westover is a Tyee Builder. You can be, too.
- Nora Etches is a Tyee Builder. You can be, too.
- Edward Henderson is a Tyee Builder. You can be, too.
- Bharadwaj Chandramouli is a Tyee Builder. You can be, too.
- Dean Chatterson is a Tyee Builder. You can be, too.
- Marius Scurtescu is a Tyee Builder. You can be, too.
- Robert Parkes is a Tyee Builder. You can be, too.
- James Murton is a Tyee Builder. You can be, too.
- Susan Doyle is a Tyee Builder. You can be, too.
- Vincent Strgar is a Tyee Builder. You can be, too.
- Helen Spiegelman is a Tyee Builder. You can be, too.
- Subir Guin is a Tyee Builder. You can be, too.
- Kimball Finigan is a Tyee Builder. You can be, too.
- Joanne Manley is a Tyee Builder. You can be, too.
- David Leach is a Tyee Builder. You can be, too.
- Joel Berger is a Tyee Builder. You can be, too.

'To Me, This is Beautiful'
Photographer Gabor Gasztonyi, whose book 'A Room in the City' documents rough corners of Vancouver's Downtown Eastside, on looking tough, getting close and more.
Once a week for the past six years, Gabor Gasztonyi has packed cameras, lenses, rolls of film, and driven to Vancouver's Downtown Eastside. "It can be quite a dangerous area," he says. "On the street, you have to appear tough. If you don't, someone's going to steal from you or beat you up."
Gasztonyi lives in New Westminster where, according to Statistics Canada, the median rent is $737 dollars a month. He has a photography studio where he shoots tidy portraits of high school students and Douglas College grads. It's a long way from the former city centre, the untidy, unloved area that radiates out from Main and Hastings.
Gasztonyi is not alone in his analysis of the Downtown Eastside as an area that inspires fear. According to a report released by the City of Vancouver last year, "aspects of the DTES have been a public concern since WWI. Community health was an issue prior to WWII," while mental illness among residents, the loss of inexpensive housing and the development of an open drug market became more problematic in the 1980s. The report states that the DTES is home to about 18,000 residents, a "high number" of which are "mentally ill, or addicted to alcohol or drugs"; most are "socially or economically marginalized" in some way.
'I gotta earn a living, you know'
School portraits pay the bills, but photographing in the dark recesses and bedbug-infested rooms of the DTES is Gasztonyi's passion: "The still image is such a powerful medium. That's what I love about it. Searching for those images, that's what I really enjoy doing."
"You have all these different layers of people," he says of the Downtown Eastside. In 2004 Gasztonyi began visiting the area once a week to capture images of the people who lived there "in their own environments" -- the SRO hotels that many of the area's residents call home. Starting out at the Cobalt Hotel, his project grew to include several of the single-room dwellings in the DTES, eventually coming together in one volume: A Room in the City.
'Stories that would make your skin crawl'
Gasztonyi's book documents -- in images as well as words -- the lives of the people who occupy Canada's poorest postal code. Here, StatsCan reports that rent, heat and electricity cost an average of $515 a month, and the median income is only $13,600 a year. His work attempts to find beauty in hardship and godliness in "hell," as the area was described by a resident. "You have to get close," he says, which makes "some of the shots disturbing."
Sitting with Gasztonyi at the Ovaltine on East Hastings, while cups and saucers clatter, we both sip diner coffee while the photographer enjoys what I'm told is an incredible plate of bacon and eggs. The young men at the next table shout impatiently at the waitress, "Can we get some service here?" and Gasztonyi begins to tell me the stories behind A Room in the City; as he does, the black and white images are painted in brilliant techni-colour.
With his wide smile and welcoming face, Gasztonyi manoeuvred into the darkest corners of the Downtown Eastside -- places foreign to most who will read his book -- and emerged with images of both spectacle and normalcy. "Everyone's afraid of these people," says Gasztonyi. A Room in the City is his effort to show that "they're just like you and I."
As we talked, Gasztonyi spoke about specific images you'll find in the photo essay accompanying this article. His comments can be read in captions to each photo.
More of Gabor Gasztonyi's work is available at his website. Gasztonyi's book is available through Anvil Press. ![]()
















11
Login or register to post comments
wcullen
1 year ago
Appearing tough is not the answer
Although I laud Gasztonyi's work, both artistically and as a promotion of the human side of the DTES, the idea that the DTES is dangerous and that you have to appear tough to be there, is nothing less than hyperbole.
I have worked in the DTES for the last 5 years. I've walked through--day and night--the same alleys, streets, and areas Gasztoni speaks of. And in all of that time I've never had one--I repeat: ONE--incident where I've felt threatened.
This perspective of Gasztonyi's may bring his pictures great appeal, but it is a tired old perspective on the DTES. For one, the DTES is more like a third world country, than the LA-style 'inner city' it is often associated with. To be true, if you live here and are of the lowest incomes, homeless, addicted, and/or mentally ill, then the area does pose a danger, but it's not the glamorous danger of a Hollywood movie. Its starvation, despair, disease; it's an internal cycle of violence where drug dealers prey on the addicted.
Certainly, there is violence in the DTES. That being said, much of it occurs amongst and between the inhabitants, not the visitors. More often that not, these people are only a danger to themselves.
Perhaps, more importantly, these people need not be feared to be approached, rather understood and shown compassion. One has to wonder how Gasztonyi ever got to understand the area, to see inside it--if it required such a tough stance. What gets you inside is a compassionate ear, understanding, a sense of concern, and a sprinkle of 'there but for the grace of god...' mentality.
No, I'm sorry Mr. Gasztonyi, but the DTES is not dangerous, it is desparate. And what it needs is more understanding not the perpetrating of tired old stereotypes, stereotypes, I might add, that are more beneficial to the 'street cred' of the salesman, than the reality of the people on the ground.
What Gasztonyi's language belies is the very thing the DTES does not need: more bad press, and hyperbole. In the future, please consider your words to more accurately reflect the life that people must exists in while you ride the sky-train back to New West...
Ramone
1 year ago
More "poverty porn"...
...for consumption by the middle-class.
Allow me a brief rant:
I had to laugh at this..."It can be quite a dangerous area," he says. "On the street, you have to appear tough. If you don't, someone's going to steal from you or beat you up."
This guy obviously doesn't spend much time in the DTES.
It's mostly (poor) people getting on with their lives. Yes, those oh so scary looking drug addicts are people too.
Granville Street on the weekend is "scarier" and much more dangerous...drug fueled (in this case alcohol) frat boy types picking fights with whoever happens to be the vicinity is a regular occurrence. I have seen more than a few three on one beatings down there. Even the police have acknowledged that weekend violence is a problem.
But since it's mostly white and mostly middle-class people involved the media mostly ignores it. And alcohol is our society's accepted drug...so cue more stereotypical horror stories about street level junkies and cocaine users. Prohibition of cocaine and heroin cause most of the problems the average junk or coke user has to deal with, especially if they're poor and have to buy their drugs on the street.
Hard-right capitalism and prohibition are responsible for the poverty and desperation in the DTES. The silver-lining, surely, is plenty of fuel fuel for drug and poverty porn peddlers.
Ramone
1 year ago
@ wcullen
Nice post. Very well said.
Jerry Munro
1 year ago
Will the REAL DTES stand up, please...
Very interesting and insightful comments above here. They are the real read.
I drove a transit bus through this area very often over many years, and its their view of the DTES that is the one I remember.
Mr. Gasztonyi needs to sharpen his intellectual/political lens. He's a good technician, now he needs to improve his "understanding" of what is really going on here.
Thanks folks above.
Urbanismo
1 year ago
DTES
Huh . . .
http://members.shaw.ca/rogerkemble/5.dtes/dtes/dtes.html
. . . spent a Monday morning just a few weeks ago wandering around clicking and musing . . . absolutely no threats I could sense, feel or see . . .
Urbanismo
1 year ago
PS . . . I'm sure if you
PS . . .
I'm sure if you go looking for trouble you can find it in the Vancouver club . . .
ericblair
1 year ago
i agree with wcullen
I too work in the dtes, and am off work nightly at midnight on the busiest block. I have never felt personally in danger. I have felt threatened through interpersonal work with residents, but this comes with the territory and is to be expected (and even this is rare). As a visitor walking the streets, I feel safe. And if I "look tough" it is certainly news to me. My biggest annoyance is being constantly asked whether my bike is for sale. THat the neighbourhood is dangerous for its residents,especially women, should not be understated. A couple of weeks ago a young woman, who I happened to meet throught work some time ago, was thrown to her death out of a 5th story window of an SRO. Just last night, on my ride home, at Gore and Pender, I witnessed a woman being viciously punched in the head and an attempt to drag her into the alley. The man was stopped by a closer passerby's threat to call the cops. I have witnessed many assaults and seen the fear that drug debts can cause.
That said, the neighbourhood is unmatched in community, and for all the addiction and desparation, there is a connection among residents that is sorely lacking elsewhere. Its a big reason I enjoy my work, and I feel I get more back through this than I "give." For me, certainly not a scary place. Disturbing at times, but inspiring and beautiful as often as not.
Gabor Gasztonyi
1 year ago
DTES
I just wanted to clarify the issue of so called "toughness" in the DTES. I didn't mean that you have to be tough to walk through these streets as sort of a mechanism to prevent harm. I was just commenting on a sociological aspect of interaction within the world of drug addiction and illness. In a sense aggresiveness on the part of addicts can lessen the potential for harm from other addicts and dealers. This was confirmed to me by countless discussions and interviews over a six year period. And yes of course the DTES is generally a very safe place to walk through and I walk through there regularly, photographing where I can--and meeting with the many friends I have there. But it can be also a dangerous place with many unreported incidents. Ashley was believed to have been thrown out of the fifth floor of the Regent Hotel, naked into the alley around the 12th of September. I was there at the Regent the next day and one of my friends who lived there was unable to re-enter his room because of the police investigation. The murder completely shocked everyone--and yes the DTES can at times be a frightening place. I know several people who live on the fifth floor--where are the coucillors to help them through this trauma?
Headlines about this in the press were absent for at least two weeks--our society was more concerned with the gases eminating from the former BC Hydro Electra Building.
To quote from my preface to A Room in the City, "Each of these relationships is held together by fear, violence and deception, deals gone bad and debts unpaid. I learned that on the street, aggression is copied or mimicked from one person to another. This chain of connections somehow lessens the amount of hurt each person endures...Each day as the rest of us in the city live our own lives at home, at work and in public, many of the people of the DTES that I came to know in these photographs continue their struggle with illness, finding ways to love in a world filled with despair. As I entered each of these rooms and sat down beside another human being and began speaking as one person to another relationships and perceptions began to change. The anxiety of the world disappeared, and the need to deceive went away...On the walls of these dimly lit spaces I discovered pictures of families: children and lost husbands and wives..As my heart filled with memory and as the words we spoke became softer, I knew I had become more than a guest, I had become a listener and a friend."
Yes I think I do understand the DTES--I've eaten pigs feet and Kraft dinner served up by Dave Hill, at the Balmoral Hotel on the Fourth floor--a luxurious meal really. Perhaps someone should get off the transit bus and join us next time.?
wcullen
1 year ago
Perhaps...
..and perhaps again there is more in your defensiveness Gasztonyi than in your words.
The two posters who actually work in the DTES that responded here--myself and Ramone--you seem to have conveniently ignored and focused on the transit story: convenient..and telling.
I was quite clear that I appreciate your work, but if you think you speak 'for' people down here because you visit and take pictures and get invited in by DTES folks then Ramone's 'poverty porn' may be more apt than I originally thought--just think about that for a moment...
And, no doubt you have developed relationships with people down here, I'm glad, but you have given me pause to wonder as to what intentions and ends you've developed these 'relationships'. What gain for them..?
I am also glad, as should have been clear above, that your photography brings a human perspective to DTES. But you're hardly breaking new ground here; in fat, even six years ago, you're a bit of a Johnny-come-lately. More importantly, these people's stories are--and have been--best told by themselves.
But let's be clear, Mr. Gasztonyi, coming to the DTES once a week over six years equates to about a years--sporadic--experience. The relationships you develop, no doubt meaningful to you (and perhaps meaningful to the people you've met) pale in comparison to those who work down here every day, which, in turn, pales in comparison to having to live and exist here.
In this sense you're in danger--whether you'll admit to it or not--of acting like John Stackhouse when he tried to tell Torotonians what it was like to be poor by living amongst them for a week. Insight: perhaps; in-depth insight: only for the most naive. Please, just be aware of this.
Finally, what percentage of the profit of your book goes back to these people whom you've made a profit--however meager--on? Where are you and your skills in the "Hope In The Shadows" project? If you're so dedicated to this area and these people then volunteer for this meaningful project. In a phrase, Mr. Gasztonyi: give back.
I find it odd--and, perhaps, telling-- that I couldn't, any where (please correct me if I'm wrong), find where you had contributed, gave back, to the DTES, the area you say you "understand".
Exploitation appears in many guises: from the intentional to the well meaning, Mr. Gasztonyi...Please consider this in the spirit it was meant: honest criticism. And take your own advice and think about this while you're riding the transit out of the DTES back to New West where you spend most of your life...
Gabor Gasztonyi
1 year ago
DTES
Mr. Cullen:
Books such as A Room in the City are not best sellers in general--they are hardly Oprah Club selections. A large number of the people in the book were given their own personal copies and a number of copies were donated to the Carnegie Library. I encourage you to pick up a copy and have a look at the whole book including all the text and diaries since 2004. As a photojournalist it is very difficult and time consuming to make a book like A Room in the City--if you consideer six years of shooting and hand developing thousands of rolls of film making contact prints, making prints in the dark room to give to people in the hotels, and countless hours of writing and editing. I pray that this book will play a part in understanding the intimate human nature of the DTES--and that through the art of the still image a greater sense of awareness and will be created. I humbly view that as my contribution and my giving back. Through sincere connections to our fellow human beings--social change is indeed possible.
I certainly applaud anyone that works in the DTES on a daily basis--as you have. There are many dedicated people working there--non more dedicated than Dr. Gabor Mate who through his books, public speaking and work as a clinical physician in the area for over ten years. He has brought an incredible sense of understanding about drug addiction to our society. Dr. Mate in his forward to A Room in the City, writes,"My friend Gabor's photographs open the window through which we may glimpse the lives of people traumatized early in life and re-traumatized ever since by a society that blames or, at best, shuns them for developing mental illness or addiction, or both, in response to that trauma." And again, "Nor can words depict the triumph these photos and these lives represent--triumph over despair, the urge to give up and disappear, the drive to succumb to blows that are, to many of us, unimaginable."
Conductor274
1 year ago
Raising awareness
Good article and good conversation. Both of you, Cullen and Gasztonyi, bring more awareness to the problems associated with poverty in this country. Too many people don't ever come into contact with the poorest in our society. That leads to ignorant attitudes and actions that make their situation even worse. The more awareness is raised about poverty, homelessness and mental illness the more the government will feel obligated to act on their behalf. The government will only come to the table if forced so carry on with all efforts to bring these problems to the publics attention.
I think both of you make valid points.