Artsculture

They go big, I stay home.

Why I’ll never go to another stadium show.

By Lisa Johnson, 29 Apr 2005, TheTyee.ca

Edge

By all accounts, the 40 thousand people holding tickets to U2's sold out shows this weekend are the lucky ones. I even briefly considered trying to join them. As local newspapers hyped the February 5th ticket offering, I thought, "U2! In Vancouver! Why not?" and wrote the date in my calendar.

It seemed the recipe for a great concert: Bono and the boys are passionate showmen. I know all their music. And, they're one of the handful of acts to whom the overused "Biggest Band In The World" title might actually apply.

But instead, I let the 480 seconds it took for the first show to sell out just slip away. They added a second show, and I passed that one up too. But I don't regret it. In fact, I'll be happy if I never sit in a stadium again, having to alternate my gaze between an ant-sized rock star and his Jumbotron doppelganger.

From now on, when they go big, I'm staying home.

Better than the Real Thing?

I have gone to big concerts, and tried to make the best. I remember the excitement before my first -- and, I'll say, last -- U2 show. I was 18, and left my university exams behind to catch a bus to Seattle for the band's 1997 Popmart tour. It seems most people my age have a fanatical U2 disciple in their lives, and mine had scored an extra ticket. The seats weren't great -- in the stands, pretty far stage left. But moochers can't be choosers, and hey, I'd be sharing an evening's worth of oxygen with U2.

Seven years later, what I remember is expecting a burst of joy when the band stepped on stage, but getting an emotional flat-line instead. I remember borrowing my friend's binoculars to catch a better glimpse of the band -- I mean it was U! 2! Right! There! -- and then handing them back to continue squinting. I remember being struck by how, even though I'd paid for a ticket and hauled myself across an international border, the best view I had was still on a (giant) TV screen.

And when it was all over, I remember herding out of the stadium down a winding concrete ramp, hearing "Wasn't that awesome?" In the afterglow, there's only one right answer to this: "Totally…." I think I faked it.

That's problem number one with big concerts. You invest so much -- between $50 and $165 for tickets to last night and tonight's show for example, plus service charges, energy and anticipation -- that you need a big return to break even. If you don't love the show, it feels like a failure.

Some Shows are Better than Others

After a few more big shows -- most notably, the definitely-not-a-Woodstock-for-my-generation Toronto Rocks concert with the Rolling Stones -- my willingness to go through that all again started waning.

Maybe I'm just getting old. This seems a little premature -- after all, U2 has been a band longer than I've been alive. But hear my complaints: there are too many people, I get tired of standing but you can't see sitting down, the sound bounces off the walls funny, and it's so loud my head hurts. I could be channeling Grandpa Simpson.

That's certainly what I thought about the grumpy adults sitting near my friends and me at the Popmart show. Most of the crowd was up and dancing, so I could gauge the age of fellow-concert goers by which songs they sat out. Anything off the then-recent album, Pop, and twenty-somethings grumbled, "They lost it after Achtung Baby." And even songs from that album would put the 30-plus crowd in their seats, whining, "Why don't they just re-release Joshua Tree?!"

I'll admit it's possible I've become "When will they play 'Lemon'?" has-been. But maybe I just know what I like.

At 25, I'm a little less star-struck, and a lot more intolerant of big crowds and bad acoustics. I can see a shift in how my friends and I make concert plans. Before, it was who and how much: do I like the band's music, and am I willing to pay the asking? Now, the where is just as important. Is the venue big or small? How's the sound? General or assigned seating? Dance floor or chairs?

The music and money still matter, but in a different way. The best show I've been to all year cost $6, was in a small-town nightclub that only fits a few hundred people, and started two hours late. But I didn't mind missing the late set of Po' Girl, the Vancouver trio I was there to see, because I was so blown away by their opening act, a local band I'd never heard of called Panurge.

With cheap tickets, a small club and an unknown band, the night met all my new criteria for a good show. See, hearing music I know and like isn't enough anymore. I want an unusual cover song, a little striptease (à la ACDC guitarist Angus Young), or at least some banter. Even in good venues like the Commodore or Orpheum, the music won't sound better than it does in my headphones. At the risk of sounding lazy, I need some other reason to go.

Finding What I'm Looking For

And maybe that's just it -- maybe I'm looking for something in live music that a monstrous show can't deliver.

Consider the roots of the modern-day rock tour -- our ancestors singing around the fire, or a minstrel traveling from town to town. Back then, the show had an obvious utility: it let us hear music. Now, most of us can do that anytime -- with our chosen volume, location, and play-list. We can download vast folders of mp3s from free, anonymous sources. The music we have. The connection is what's missing.

That's what a good concert offers fans -- a connection to their idols, and to other people who like the same sounds. Some U2-philes might find that tonight. (Some certainly did at the video shoot Wednesday.) The concert-goers will be surrounded by tens of thousands of others who love the band. They can rest easy knowing that, for three hours, they shared a dark and cavernous space with greatness. And, as someone who's been there, I know that being able to say you've Been There does feel good.

But now, for me, I've done that. So I'll take my six bucks and seek musical fulfillment somewhere else.

Lisa Johnson would gladly reconsider upon receipt of a spare ticket to front-row centre. She currently reports for CBC Radio in Nelson.  [Tyee]

16  Comments:

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  • Colin

    6 years ago

    Comments on "They go big, I stay home. "

    The last big concert I went to was the Moody blues, (now I am dating myself.)

    I try to catch the Gypsy Kings when they come to town, I enjoyed their concert at Nat Bailey, but despite having a table at BC Place at the front of the stage, I was bent out of shape by the cost of food and Sangria (not to mention the quality)

    I avoid BC Place as much as possible, their coffee makes me gag!

    I much prefer the smaller venues with up and coming bands and we are lucky here in Vancouver to have a vibrant and varied community. I think advances in musical recording will help these small bands prosper.

  • warpengi

    6 years ago

    Congratulations Lisa, you are growing up. I made the same resolve as you back in the 80's. Who wants to sit or stand amidst 1000's when all you can see of the band are the pyrotechnics.

    If I go to see a live show I want to see the musicians and watch them play their instruments.

  • Lisa

    6 years ago

    Warpengi, Colin:
    Glad I'm not alone!

  • kurt

    6 years ago

    I couldn't agree more, with the exception of outdoor festivals, because the sound is almost always very good and you can work your way to the front. U2 was fabulous at the 1983 US festival, as was David Bowie, yet when Bowie brought the same tour that year to BC Place it was abominable; atrocious sound was muffled and echoed everywhere. Also saw U2 a few years later at BC Place, and it was diabolical, even though the band was able to walk on a stage well into the audience. The best Tragically Hip concert I ever saw was also outdoors. Stadium shows aren't worth the money; they always leave me flat.

  • Truman Green

    6 years ago

    Right on, as they used to say when I attended my last big stadium concert: Jimi Hendrix. Welcome to the sensible club, Lisa.

  • alexwh

    6 years ago

    This fine article should have included everything that ever happens at BC Place is not worth going to. From gardens shows that are more about paving stones than plants to abominable sports events I cannot figure out how BC Place makes money. I had not gone to see a BC Lions game for years (after years of having to take Gray Cup photos for magazines until some 8 years ago. I had never ever seen an aplause-o-meter and I was truly shocked to find out that the goal posts exploded after touchdowns. When I noticed that the BC Lions cheerleaders had shiny panty hose and saw a man running around dressed as a chicken (or wsa it a lion?) I decided that was it. I have not returned to BC Place since.

  • TyeeModerator

    6 years ago

    Hmm. I don't like U2 as a musical group.

  • alexwh

    6 years ago

    Since English is not my mother tongue I have come to appreciate its exactness. So MaryJane when you say that you don't like U2 as a musical group I get the impression that you like them as people or that you may like them for their "global charity" work.

  • Roial1

    6 years ago

    As a member of an "older set", I quite agree.
    However, on reading the comment of the person who mentioned the "outdoor" concerts, I would like to recomend "unreservedly" The Comox Valley Music Fest.
    Last year's "Draw" band was Dr. Hook.
    The price of the tqts. was MORE than repaid by the quality of the experience. They are "right in your face" in this venue and dancing is "derigueur"
    Since this is a three day event one can "pig out" on magic for the eyes as well as the ears.
    The lack of sleep however is not good.
    I have my "weekend pass" already for this years event which will head line "The Nitty Gritty Dirt Band"
    (Ok, it's not U2 but to "oldies like me ) "THEY"R GREAT".

    Al

  • jarofclay

    6 years ago

    I would agree that the sound at BC Place for rock concerts is lousy. But keep in mind that U2 played at GM Place, and rehearsed there for a few weeks, fine-tuning their sound. I attended the April 29 concert and thought it was excellent. Speaking of U2, for those who wish to explore the connection between U2's lyrics and their Christian worldview, check out:

    U2 quiz: 30 questions for those who have ears to hear
    by Sol O. Mann

    (http://www.canadianchristianity.com/cgi-bin/bc.cgi?bc/bccn/0405/u2)

  • BZA

    6 years ago

    I would agree with not seeing large stadium shows, I prefer small venues. Last night I saw The Weakerthans and the Constantines at Richards on Richards instead, and it was an amazing show.

    Though I would consider going to a few large stadium shows if I really wanted to see the band.

  • alexwh

    6 years ago

    Somehow the sound of the electric guitar (which is what rock is all about) has been lost by these super groups. A recent (April 28) article in the NY Times explains how many radio stations have been switching from rock to hip hop. http://www.nytimes.com/2005/04/28/arts/music/28rock.html

    I can see why. When I play Vancouver bands like the Young Canadians (guitar, base and drums) or DOA (two guitars, base and drums) the sound is crisp and clear and exciting. For me U2 is an Irish SUV. And as for promoting political awareness and fighting lost causes, DOA has been doing it since the late 70s. And all from here, BC.

  • kurt

    6 years ago

    I've been pleasantly surprised by the sound quality at the GM Place arena as compared to the BC Place stadium (for Paul Simon, Van Morrison, Joni Mitchell, Bob Dylan) but I had good seats. If all I had was perches at the back of the arena I wouldn't bother going even if the seats were free. And I'd still rather have seen these artists outdoors. There is an ambience to outdoor concerts and festivals that makes the risk of inclement weather a negligible factor when considering buying tickets for a special show.

    It also works for theatre. London is famous for its grand theatres, but my most memorable experience is the Globe; an open air theatre recreating Shakespeare's era, where you stand on the ground. Europe has renowned opera houses, but a friend said he'll never forget seeing Aida inside the ruins of a Roman colisseum; a grand spectacle complete with horse cavalry -- and wonderful acoustics. The British are rebuilding historic Wembley Stadium, and adding an indoor arena to the site, but are leaving the stadium open air (I've sat in my backyard two miles away and listened in amazement to the clarity of each instrument and note played inside Wembley, and it's also very good sound inside Wembley). The Whitecaps and Lions are trying to build an open air stadium to replace BC Place, and if they don't succeed they should simply remove the dutch cap atop BC Place -- open it to the elements.

    And while I've always said I preferred seeing a no-name band at a small venue over a big-name act at a stadium, I've been disappointed at times. I saw Jonathan Richman and his drummer at a London Camden Town bar last fall, and didn't mind the crush of people inside but hated the idiots who insisted on smoking in such tight quarters. The air was foul, my eyes stung and I had to constantly dodge lit ends for fear of getting burned (and I'm a smoker -- can't imagine how Richman & co. felt up on smoke-filled stage). Not much better luck last time I went to the Commodore -- a belligerent drunk deliberately attacked me for no reason while I was sitting in a chair. I had to bust his nose before a bouncer ousted him and apologized to me for not getting him out the door sooner. Perhaps society is becoming more boorish, and bars tend to bring out worst in certain personality types, but I have no patience left for bad manners.

    I've never had a bad experience at an outdoor show, and organizers also tend to offer more interesting fare than the beer, pretzels and hotdogs at the stadium or arena.

    I'll see you at Jack Johnson's concert this summer at Deer Lake Park. That's as perfect as it gets.

  • arrr_matey

    6 years ago

    Wow. I couldn't agree more. Every stadium show I have been to in the last five years has been a disappointment. Contrast this with some absolutely amazing small club shows (usually $20 or less) and I'm never going back to big.

    Just last week, I went to see an American band, Crooked Fingers, at Richard's on Richards. For their encore, the entire band grabbed acoustic instruments and came down off the stage and played on the dance floor with the audience standing around them in a circle. In between songs, the musicians joked and gabbed with individual people in the crowd. It was amazing. Everyone in the audience was stunned into silence. It was an experience I'll never forget. And it would simply never happen in a stadium show.

  • charling

    6 years ago

    Excellent point Lisa. Couldn't have said it better myself. Although, yes, free tickets to front-row centre may have altered my opinion slighlty:). By the way, I was also blown away by a Panurge show recently too. They seem to be really nice guys actually. My gf used some of their songs in her student video which they happily obliged too and also chatted us up. so yea, definitely check em out!

  • funniously

    6 years ago

    Japan is a great place to see big name acts in small venues. They usually have a smaller following there than in North America. I've seen some pretty great shows at the Blue Note or other little bars and clubs. If you were thinking of planning a vacation there, you might throw a concert into the mix.

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