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Hollywood and Race: Black, White and Green
‘Guess Who’ begs the question: How far have we come since 1967?
Is there anyone whiter than Ashton Kutcher? I don't just mean in the pigment category, I mean in the more ephemeral quality of whiteness meaning white bread, Casper, cracker, birdshit. The boy is white in the worst way possible, he's wiener white.
Kutcher is the star of Guess Who, the sort-of remake of Guess Who's Coming to Dinner? -- the 1967 film with Katharine Hepburn, Spencer Tracy and Sidney Poitier -- which asked whether race mattered. In 1967, the answer was an unqualified yes, and in 2005, the answer is still, an only slightly less qualified, yes. Simon Green (Ashton Kutcher) and Teresa Jones (Zoë Saldaña) are young lovelies in love who visit her parents on the weekend they're celebrating their 25th wedding anniversary. The parents, Percy and Marilyn Jones (Bernie Mac and Judith Scott), are staging an elaborate party, complete with a metrosexual party planner, and fireworks of every variety: explosive and emotional. Enter the whitebread and watch Daddy's eyes begin to pinwheel.
Bernie Mac (playing the Spencer Tracy role) follows in the Bill Cosby school of big house, nice kids and father knows best. The film is almost a carbon copy of Meet the Parents, complete with doltish boyfriend who tells ridiculous lies and gets caught, an over-protective father, and a stiff car ride with musical accompaniment. It all feels a little too familiar, which is why one scene in particular jumps out. At a family dinner, Percy Jones coerces Simon into telling black jokes like: why don't black people like country music? Because every time they hear the words Ho Down! they think someone shot their sister. hahahaha. Simon's jokes get a few laughs, but when he goes too far, the ugly undercurrents reach up and bite him right on his flat white ass. The scene is the only one that actually demands any attention. It strips away the comedy for a moment and makes you realize that beneath the humour is something unsettled and unresolved -- the writhing bag of snakes that is American history.
Screenwriter William Rose, who penned the original Guess Who's Coming to Dinner, is co-credited with the screenplay for the remake, so it's interesting to see what has changed and what hasn't. Certainly the positions are reversed. Mac is the man, big house, big car, and money enough. But when his little girl brings home a big white dork, you can understand his dismay. He sets out to undermine the boy, and the joke is that racism, reverse or otherwise, is for everyone.
A too smoothed Rock
Vancouver writer Wayde Compton, who is black and the author of Performance Bond remembers the original film less than reverently. "I've rarely seen two leads with less on-screen chemistry between them than Poitier and Houghton,” he said in an email. “Poitier looks so stiff in that film, like he's half expecting that the cops are going to bust in on the shoot and take him away in handcuffs. I don't know any white women who married black men in the sixties who could possibly have been that wimpy. No, all the white women of the Civil Rights baby boom that I know -- and I know quite a few -- had moxy for days. There was no doing it otherwise. If I could go back in time to '67 and re-cast the film, it would've been Yaphet Kotto and Mamie Van Doren, a tough, big-boned leading lady. That would have been verisimilitude. And those two snogging on screen might actually have turned people on a bit, which would have made the movie's simple polemic a lot more intense." Which is a problem in this film as well, any sensible woman would take one look at Simon Green, and think "Girl, no way." The real love story, is between Simon and Percy, and it is portrayed that way, quite literally, they sleep together, they dance together, and finally they are wed together.
With visible minorities soon to surpass the majority of the population in major Canadian cities (Toronto and Vancouver), and 12 black Cardinals in the running to become the new Pope, you might think maybe race doesn't matter anymore. And maybe you're right. It's certainly no longer marginalized in quite the same way in Hollywood circles. It's been almost 20 years since Robert Townsend produced Hollywood Shuffle (1987) through the creative use of credit cards, but in some ways, the film is still relevant. Bankable Hollywood stars like Denzel Washington, Will Smith, Bernie Mac, even Ice Cube, having put his NWA days behind him, have made the domesticated black man a family favorite. Are We There Yet? made buckets of cash for Ice Cube, who went straight outta Compton right into the suburbs.
This is not a new trend, almost every male black lead has done something similar, including Bernie Mac, who is ostensibly the star of Guess Who. It is interesting that Mr. Mac has been so tamed since his days as one of the Original Kings of Comedy (Spike Lee's documentary about the comedy concert tour). The film also featured Cedric the Entertainer and Steve Harvey, both of whom have had success with more benign renditions of their onstage shtick, but it's Mr. Mac who is perhaps most changed. His stand up material was the least family friendly (with a long bit on the multiple uses of the word motherfucker). But play nice is its own faustian bargain, as Chris Rock found out when he was chosen to host the Oscars this year. People thought things might get interesting, but Rock was so neutered he might as well have been a black Ken doll, with a smooth plastic bump where his funny business had been.
Whiney whities
Race is a tricky subject, and hence it is one that filmmakers return to time and again, whether it's a comedy (White Chicks) or tragedy (O). Race relations also take center stage in Neil LaButes's new play This is How it Goes with Ben Stiller, who returns to his home town to visit an old girlfriend who has married a prominent black businessman. The play revisits the Othello story, but like most of LaBute's work its central premise is that men are creepy, whatever colour they are. This is also the lesson that Guess Who offers up. Black or white, men are liars and fools, as their women folk are only too glad to point out.
Male failings are what largely preoccupy the women of The Beauty Shop, a spin-off of Ice Cube's successful Barber Shop series, in which he both produced and starred. Like the Original Queens of Comedy, it is the female version of the male original. And female is it. When not obsessing over their hair, these girls are dissing men, up, down and sideways.
When the film opens Gina (Queen Latifah) has moved to Chicago so that her daughter can attend music school, dad is dead, and mother-in-law is trying to control an out of control teen (played Keshia Knight Pulliam who was once upon a time Rudy in the Cosby show). Now she's just plain rude, with pants down to her burning bush, as her mama says. Gina makes her money tending the tresses of rich white women played by Andie MacDowell and Mena Suvari, who, like Mr. Kutcher, are just about the wieniest whiniest whities I've ever seen. I'd rather be a sistah. And so apparently would everyone else. Gina's talent earns only spite from her egomaniacal bossman, Jorge the Austrian hair fascist who comes to his Aryan heritage by way of middle America. He informs her she is his moniker. She hears it as something else that begins with an 'n'.
The film breaks down like you'd expect with few surprises. White and black are entangled in the hairiness, but eventually the Queen reigns by getting back to her roots, haha, Roots. Get it? There isn't much to be offended by, but that hasn't stopped the message boards of IMDb from buzzing with accusations of racism of every variety
Pope of colour?
When even the whitest of white men, Woody Allen, is including a black character in his most recent film (Melinda and Melinda) perhaps the times they are a changin'. Or maybe not. There was only one Bamboozled, but there was plenty of Soul Plane, Undercover Brother, White Chicks, Friday, Barber Shop, State Property (1&2) King's Ransom, XXX: State of the Union. Even Diary of a Man Black Woman (Sic), Tyler Perry's one man industry of soul food pop culture, has become mainstream. The funniest, okay, the only funny part, of this year's Oscar telecast was Chris Rock interviewing people at the local cineplex about their favorite films. If you listened closely you could hear the rustles of unease amongst the industry professionals.
Halle Berry and Jamie Foxx may win academy awards, but so long ago, she was starring in B.A.P.S and he was doing Booty Call. It's not white audiences but more often black audiences who go to see movies that trade in what Spike Lee might call those old minstrel show stereotypes. These stereotypes are so old and so heavy that they can't be lifted all that easily. But they can be repackaged endlessly. After Neil LaBute finishes his play about race, he's set to film the screen adaptation of Dem, William Melvin Kelly's 1967 novel about a white man whose wife has a black baby.
How'd we get back to 1967 again? Perhaps, we never really left it. Even if the next pope is fact a person of colour, will he do anything different from the old white guys who preceded him? Black may be positioned as a place of resistance to the dominant hegemony. What's that? Hedge your money? They don't make movies in black and white anymore, just green all over.
Dorothy Woodend reviews films for The Tyee on Fridays. ![]()



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Truman Green
7 years ago
Comments on "Hollywood and Race: Black, White and Green&quo
Clever review! As for the faustian stepanfetchitorial bargains struck by most brown-skinned hollywood types, I agree, but what does this mean, Dorothy: "Black may be positioned as a place of resistance to the dominant hegemony."
Yammer
7 years ago
Is it a post-structuralist deconstruction of the dialectic?
Truman Green
7 years ago
Yammer, nice try but it's obviously a dialectical post-modern neo-cosbian discontinuous paradigm of constructionalist melanism, eh.
Bailey
7 years ago
Truman, you have to be careful with those. If you're not careful 'constructionalist melanism" is going to start showing up in undergrad papers first and People magazine shortly afterward.
And it'll be your fault.
Truman Green
7 years ago
Hi Bailey. No kidding, eh! So, anyways, Dorothy Woodend, I'm reading that first paragraph for the twentieth or so time and, in spite of my substantially above-average IQ, I can't for the life of me figure out what you mean by, "Is there anyone whiter than Ashton Kutcher? I just don't mean in the pigment category...." Also: "The more ephemeral quality of whiteness..." Would it be overly presumptuous of me to deduce that you have some pretty interesting opinions of what it means to be a white person, (like Woody Allen) and what white people are like and stuff like that--and therefore what it means to be black and what black people are like and stuff like that so I wonder if you could please let me know your view on these things? Maybe you could develope a bar graph, or something, to illustrate all the differences, eh) And could you do this without going to your official "go to" guy, Wayde Compton, for advice? Incidentally, racism persists partly because some people persist in using stereotypical language when talking about pigmentation, eh. I mean, I'm almost persuaded to re-evaluate pop-evolutionist, Richard Dawkins' "meme" theory of semantic inheritance after reading stuff like this review. Incidentally, there are no races of human beings. It's one of a bunch of hoaxes passed along through the centuries...like Dawkins' "memes."
lani
7 years ago
Racism is a cultural social and political construction -- it is not about "race", it is about how people are treated on the basis on what is perceived as "race". Therefore, whiter than white should have a fairly obvious meaning to anyone who has some sense of what culture or politics means -- it means someone who exemplifies the values and stereotypes of a particular cultural construction so Ms. Woodend's comments are very well put.
Denial that racism exists or that people are treated differently on the basis of race or that the world has a long and bitter history of racial pain, is to simply perpetuate racism in a more subtle form. Thus Ms.woodend's comments that this is precisely what Hollywood is up to by making it all ha ha funny, aren't black people cute, is absolutely right on.
Truman Green
7 years ago
Cute answer, lani, but what does "whiter than white mean?" Are you really serious with this faux tautological kind of answer: "whiter than white should have a fairly obvious meaning to anyone who has some sense of what culture or politics means--it means someone who exemplifies the values and stereotypes of a particular cultural construction so Ms. Woodend's comments are very well put." Lani, that's like saying a cloudy day is one with clouds in the sky, and is itself a rather silly tautology. (Like: "The survival of the fittest") Ms. Woodend suggested that she was very well-versed on how "white" certain people (Ashton Kutcher and Woody allen) are and therefore how "black" certain people are. (by logical inference.) My suggestion is that unless she explains what she means by such claims, she is just faking. And so maybe you can answer why Woody Allen is the "whitest of men." Then again, it is possible that you sincerely don't understand how inadequate your explanation is. Referring to people in such a fashion is perpetuating racist mythology--as you claim I am doing by demanding meaningful sentences and explanations--from you and Ms. Woodend. I look forward to you explaining exactly how Woody Allen and Ashton Kutcher fit into your view of "what cultural and politics means." If you don't have an explanation for this, you're just continuing Ms. Woodend's meaningless stereotyping. And since you're so knowledgeable on the perpetuation of racism perhaps you can tell us what this means, "black may be positioned as a place of resistance to the dominant hegemony." In case you're not interested in contining, I'll tell you what it means: Nothing.
lani
7 years ago
Dear Truman: I spend a lot of my life in reasoned discussion and inquiry about many issues. But one thing I don't do is engage in competitive, combative, bombastic debate in which there are winners and losers. What a waste of time that would be. I have no idea why you would want to engage in such a hostile manner but sorry, I am not the least bit interested.
Truman Green
7 years ago
lani, you accused me of denying that racism exists because I wrote that the concept of "race" is based on a false notion of the differences among groups of people. I think this is a very important message and it is fully supported by the discoveries of the Human Genone Project. Yours is a fairly "combative and bombastic" approach to take, and so your chastisement of my "hostile manner" is more of your benign pretension and a silly refuge from the fact that you can't explain why Ashton Kutcher is "white in the worst possible way, he's weiner white," and more of Woodend's silly article such as, "black is positioned as a place of resistancse to the dominant hegemony." If you are sincere in claiming that you have engaged in many "reasoned discussions," I am sure that you have encountered other opponents who are at least as hostile as I, and so I conclude that you're just running away because you have nothing enlightening to add--about the positioning of blacks or the whiteness of Woody Allen and Ashton Kutcher.
lani
7 years ago
The fact that race isn't genetically based,and the fact that all human beings are genetically the same race ( in fact, there doesn't seem to be much difference between 'us' and a lot of other species) so far doesn't seem to have done much in the world to eliminate racism, does it. The two ideas are separate discussions.
White than white means someone who exemplifies a culturally constructed socially shared notion of a certain kind of racial stereotype.
If you look at "black' cultural forms, or forms that originated outside of dominant white culture,ie, jazz, rap, hip hop,, the dominant culture achieves this oddly dichotomous positioning of such cultural forms, by positing them as both having some kind of desirable characteristics, ie, black people are funnier or they dance better,but at the same time denying them any kind of real power within the dominant society -- thus the positioning by white media culture of black as a place of resistance to white hegemony is a contradictory and impossibly difficult position for genuine black culture.Hence, it is racist. Get it???
Truman Green
7 years ago
Lani, good try but what the hell is "genuine black culture." I've been black for all of my 60 years and I still haven't come across any. While you're answering me you might also let me know what its opposite, "genuine white colour" would be. I hope you're starting to understand the intellectual problems you devised for yourself in trying to defend Woodend's goofy suggestions concerning race. Incidentally, the new discoveries of the human genome project concerning the concept of "race" and "racism" can hardly be said to be "two seperate discussions." In fact ALL racists believe that there are some very immutable differences among people, signified by physical appearance, and it is this persistent belief that the discoveries have discredited. If you believe in "race" you are a racist--just as an evolutionist believes in evolution and a creationist believes in creation. And a fool believes in "genuine black culture." Now there might be "genuine Ethiopian culture, or genuine Haitian culture, just as there might be genuine Swedish culture or a genuine German culture, but only an idiot would believe that there is a genuine white culture or "genuine black culture." For one, such as yourself, who is "not interested" in participating in a "competitive, combative bombastic" debate, you're making a pretty good, though rather shrill attempt at "winning" the argument--something you're not at all "interested in doing." Could you please be a bit more specific in your explanation of why Ashton Kutcher and Woody Allen are "white than white?" Your claim that it refers to, "someone who exemplifies a culturally constructed socially shared notion of a certain kind of racial stereotype" actually tells us nothing. You'll have to explain SPECIFICALLY why Ashton Kutcher and Woody Allen fit into this category. Otherwise, lani, you're just BSing, eh. Here's your homework: Think about your phrase, "genuine black culture" for two hours straight. I'm sure you'll start to understand how silly you are after a couple of hours. Failing achieving this insight, you may think about "genuine white culture" for an hour, and see if that works. Good luck!
Truman Green
7 years ago
And Woody Allen plays a fairly decent alto and tenor sax--jazz, eh.
Dorothy Woodend
7 years ago
Weiner Whities strike again! apple.com/trailers/newline/the_man/
Truman Green
7 years ago
Dorothy Woodend, can you say a few words about your intent with your above post?
Dorothy Woodend
7 years ago
intent, intent... hmmm. why do I feel that no matter what I say, I shall be dammed,
First off let me answer your questions, wiener white means just that wiener! I'm sorry if the word offends you. But the character played by Ashton Kutcher is a dork, a nerdo, a geek, who looks suspiciously like an IRS employee. In interviews about the film, Mr. Kutcher said he consciously played him as Jewish (?) although they had to digitally erase the red string around his wrist due to audience disapproval.
Woody Allen is a white man, an extremely pale, red haired neurotic New Yorker, certainly he plays Jazz (albeit Dixieland) but up until his most recent movie, he had never included a black character in any of films, nor is he required to do so, it just seemed curious to me, that at this particular moment, he did. And at the same time, there seems to be a confluence of people exploring similar ideas, Neil LaBute, Paul's Haggis' new film Crash, Kara Walker who was recently commissioned to do a mural for The New York School University, and of course, good old Ashton.
Truman Green
7 years ago
Dorothy, your article begins, "Is there anyone whiter than Ashton Kutcher. You didn't write, "Is there anyone whiter than the character Ashton Kutcher plays in his latest movie. (I've enjoyed his goofy comedy on the seventies show for years and consider him to be quite similar to the Will Smith personna in Smith's old sitcoms. Something about a BLACK prince in Beverley Hills I believe) Even if you had sincerely been referring to the Ashton Kutcher CHARACTERS I would have been just as perplexed, although it would have been more sensible. So, why is Ashton Kutcher deserving of the list of epithets you employ to describe him--including "white bread, Casper, Cracker, birdshit"? I've seen most of Woody Allen's movies and I'm well aware that he's never used a black actor. I don't believe that this--or your description of him as "a white man, a very pale, neurotic New Yorker... who plays Dixieland qualifies him as "the whitest of white men." I don't think black directors are obligated to use white actors, either--if they don't see appropriate roles. Also, could you please explain the "weiner" comment? I sincerely don't get it, although I actually think I've got a fairly good understanding of the bending of space by gravity in the theory of relativity--special theory, that is. Incidentally, did you see the documentary about Woody Allen playing his sax in Europe? He coulda been black or whatever. "The whitest of white men." What the hell are you talking about? The lesson that has apparently never been learned is that black people are just white people with black skin and white people are just asian people with white skin, etc. This pseudo aphorism could be extended ad nauseum, but I think four or five hundred years of nonsense like the crap in your article about whiter than white, (hence blacker than black) is quite enough! Regarding your "I'll be dammed comment, notwithstanding the spelling of "damned" do you consider my comments gratuitous damning? Really? Incidentally, I won't be seeing more blacxploitation flicks like the one you linked in your comments. Anyway...thanks for responding to my concerns. I thank THAT's pretty classy, anyway. (albeit hardly convincing, eh.) If you relate on a more scientific level, you may sum up my remarks with the following: "there is no genetic inheritance of culture." Truman Green, l997. (I hate hip hop and rap, for instance.)
Dorothy Woodend
7 years ago
DAMN damn! My spelling has gone entirely to hell, but I take your point Truman.
Truman Green
7 years ago
Thanks for responding and considering my point of view, Dorothy. All the best!