Korea’s latest horror flick asks whether people eaters can digest a hedge fund manager.
Not too offensive, not too feminist, it’s not too much of anything. Still, there are spectres of a decent flick.
The latest from South Korean director Na Hong-jin may be best watched backwards.
Maria Bamford's autobiographical hallucination is hilariously brave.
Five-film program at Cinematheque catches balance of sorrow and joy in a world of hard times and bad choices.
Adam and Zack Khalil take us on an unforgettable trip, confronting legacies of colonialism in 'INAATE/SE/.'
The famed black artist's testimony of pain and pride proved 'we can overcome.'
Bonnie Sherr Klein reflects on a hard-won struggle, and new films at DOXA.
How film artists are making sense of a generation's detoured ideals.
'Left on Purpose' was supposed to celebrate a life, but the hero had other aims in this edgy DOXA doc.
Musician and her mother battle ALS in 'A Matter of Time', playing at DOXA.
Guest curator Rebecca Carroll reflects on her own experience in 'Black Life Is, Ain't and Still Rises.'
From ageism to ableism, few stereotypes left unbroken in this legal drama.
Vancouver filmmaker takes us courtside with hilarious story of LA basketball league.
It's a sci-fi flick just alien enough to make sense of the world again.
Films like '10 Cloverfield Lane' appeal to the worst in human nature. But we're more than endless warring factions.
Duane Howard sees 'slow' change in Hollywood, as film vies for 12 Oscar titles.
In a disrupted industry, well-placed products pay artists. Audiences needn't suffer.
Celebrating scarcity in the age of endless-scrolling cinema.
Another diversity-challenged awards season. We know how it ends, so let's watch something else.