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Music Pirates Hardly Safe Here
Canadian recording industry files massive lawsuit against file swapping site, proving our laws are tough.
Avast ye downloaders!
As the debate over Bill C-32, Canada's copyright reform legislation, continues to rage before a legislative committee, one of the most frequently heard claims is that tough reforms are need to counter Canada's reputation as a "piracy haven." The presence of several well-known BitTorrent sites, most notably B.C.-based isoHunt, is cited as evidence for Canada's supposedly lax laws that the industry says leaves it powerless.
When Bill C-32 was first introduced last June, the Canadian Recording Industry Association stated that "stronger rules are also needed to rein in Canadian-based peer-to-peer websites, which, according to IFPI, have become 'a major source of the world's piracy problem.'"
Politicians have clearly taken note of the concerns. Industry Minister Tony Clement has said that the new bill will target "wealth destroyers" and Liberal MP Dan McTeague has lamented that "the very existence of an isoHunt in Canada is problematic and is very much the result of what appears to be a legislative holiday for companies and other BitTorrent sites."
While the notion of a "legislative holiday" appears to be the impetus for some of the provisions on Bill C-32, what is left unsaid -- and thus far unreported -- is that 26 of the world's largest recording companies launched a multi-million dollar lawsuit against isoHunt using existing Canadian copyright law just three weeks before the introduction of the bill.
Myth versus reality
The lawsuit, filed in B.C. courts in May 2010, alleges that isoHunt facilitates copyright infringement on a massive scale. It seeks millions of dollars in damages and an order that the site cease operating. The lawsuit alleges that isoHunt contributes to wide scale copyright infringement and that its activities violate and can be stopped by current Canadian law.
The lawsuit may come as a surprise to politicians and other observers accustomed to hearing that Canada does not have the legal tools to address online infringement, yet that perception has always been more myth than reality. As the isoHunt lawsuit demonstrates, the legal power to combat online infringement has existed within Canadian copyright law for years. It has been the industry's reluctance to wield those powers -- not their absence -- that may have allowed infringing websites to call Canada home.
The claims in the isoHunt lawsuit must still be proven in court (as would any case using the new powers contemplated by Bill C-32), but past cases suggest that Canadian law is hardly toothless. In 2008, the recording industry filed a lawsuit against QuebecTorrent, a Quebec-based BitTorrent site. Within months, the Superior Court of Quebec handed down a permanent injunction against the site and it discontinued operation. Soon after, the industry targeted other sites with cease and desist letters, relying on existing law to demand that they stop operating.
Law is there to be used
Foreign organizations have also successfully used Canadian copyright law to counter alleged online infringement. Last month, the Dutch anti-piracy group BREIN announced that it had quietly shut down dozens of BitTorrent sites by filing copyright violation complaints with the sites' hosting providers. While BREIN keeps the names of the sites secret, it notes that Canada is one of the countries where it brings legal action.
The reality is that all major countries are home to some BitTorrent sites, including Canada. The question is not whether Canadian law is equipped to deal with these sites -- recent history and the latest lawsuit demonstrate that it is -- but rather why the industry has opted for a strategy of damaging Canada's reputation by loudly claiming that it is unable to address online infringement using existing law while it quietly files court documents that suggest that the opposite is true. ![]()




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JIm
1 year ago
When will the music industry
When will the music industry stop banging their head against the glass, trying to maintain a 1950's business model, and offer subscription services?
Todd Brayer
1 year ago
To be honest, I'm surprised
To be honest, I'm surprised it's not the movie, adult movie and software industries taking a crack at this. Music has evolved enough that I can usually get songs I want for very cheap on iTunes or free without torrenting it.
The old business model, where they charged outrageous prices for music ($30 for an album of 14 junk songs, 1 good one), and didn't drop prices after their materials cost vastly decreased when CDs came onto the market. Is it really surprising that piracy would become the norm? The slightly newer but more abusive one of putting DRM on music CDs and legal downloads is blissfully dead, too.
Subscription services are not the way to go. I want to *own* something, even if it's just a license to listen to the music and make personal backups. I'm not that huge into music and a subscription service would cost far more and wouldn't give me "forever use" of the song.
snert
1 year ago
Music CDs should be considered advertising and be free.
Artists should get back to doing live concerts to make a living.
JIm
1 year ago
You could have varying
You could have varying levels of subscription services, You could charge per GB downloaded, or have unlimited streaming. There are plenty of different models you could use.
The current system is a license system. You are currently buying a personal license to listen to that material.
zalm
1 year ago
The best response I've seen...
...to the music industry's contemptible greed was by Johanna Blakly talking about the fashion industry, and relating it to many other industries, including the music business.
http://blog.ted.com/2010/05/25/lessons_from_fa/
She makes her best point at about the 15-minute mark, but the whole TED talk is well worth listening to.
Todd Brayer
1 year ago
Varying
A charge per GB downloaded would mean all .mp3s would would mysteriously become 100MB+.
The problem with anything like unlimited monthly streaming is that these companies and those services won't be around forever. And when they go under, there goes your entire investment. It's the same problem with monthly-fee games.
We also already have unlimited free streaming thanks to youtube.
I'm pretty sure any solution the music industry comes up with will be overpriced and suck. They might have "cheap" unlimited streaming.... but wait! All the music you actually want to listen to is only available on their even more expensive "premium" or "VIP" versions of the service which cost even more. Same for charge per GB. All the junk auto-tuned pop music garbage will be available on "regular", but you'll have to buy the "Extra crispy" service to get anything you actually to hear. And will it be full of DRM that will trample on your consumer rights and cause your computer to grind down to a halt if you have Windows 7 or just not work at all if you have OSX/OS9/Linux/WinXP/Etc.
I would favour a return to affordable, live concerts without any of this auto-tuned trash. It won't happen.