Artsculture

V for Very Political

Just how revolutionary is 'V for Vendetta'?

By Anthony Kaufman, 31 Mar 2006, AlterNet.org

VforVendetta

If Andy and Larry Wachowski's Matrix trilogy turned millions of Americans on to cyberpunk culture and postmodern theory, then V for Vendetta, the brothers' latest project, might just do the same for out-and-out revolution.

Conceived by the brothers and directed by their longtime assistant director James McTeigue, Vendetta is a pop-culture attack on the current administration's multiple injustices -- a big-budget call to rebellion from deep inside the belly of conglomerate Time Warner. Warner Bros.' film unit already got flack from conservatives for releasing Syriana, Good Night and Good Luck and Palestinian suicide-bomber portrait Paradise Now, but just you wait: V for Vendetta is a pro-revolutionary action-adventure romp that makes those films look like Little House on the Prairie.

In perhaps the most glaring and controversial example of Hollywood's refusal to toe the Bush party line, Vendetta's hero is a terrorist -- a violent rebel on a mission to destroy his corrupt government in a blaze of explosives. Is this irresponsible? Does it glamorize terrorism? Perhaps. But for many progressives, whose anti-war protests have fallen on deaf ears and whose activism has been squashed by the powers-that-be, V for Vendetta should feel almost cathartic.

Set in the year 2020, V for Vendetta takes place in a fascistic London, some time after "America's war grew worse and worse," as one character narrates "when unfamiliar words like 'collateral' and 'rendition' became frightening." The government is a cross between a full-blown totalitarian state and the current administration's scare tactics; with constant surveillance, a citywide "yellow-coded curfew" that instills paranoia and restricts nighttime movement and a menacing band of secret police called "Fingermen" who patrol the streets and harass the citizens.

Masked saviors

When we first meet Evey Hammond (Natalie Portman), she's about to pay the price for violating the city curfew when a mysterious masked stranger saves her from the authorities with an array of flying swords. Evey's savior is V, an erudite, Shakespeare-quoting burn victim who has literally adopted both the mask and the mission of long-ago subversive Guy Fawkes, who in 1605, plotted to destroy parliament with 36 barrels of gunpowder. With the help of the young, pretty Evey (the daughter of "activist" parents abducted and killed by the government), V plans to carry out Fawkes' dreams of violent insurrection. "Blowing up a building," he tells her, "can change the world."

If there's any question about the film's political targets, Vendetta opens with a ridiculously racist and homophobic screed by Prothero, the Bill O'Reilly-like "Voice of London" who speaks on what appears to be the country's only television channel. "The former United States is the world's biggest leper colony," he spits. "And it wasn't because of the immigrants, the Muslims or the homosexuals, or the war that they started. No," he says. "It's because they're Godless!"

In contrast to Edward R. Murrow's famous signoff of Good Night and Good Luck, the nasty Prothero ends his ultraconservative broadcasts with the jingoistic "England prevails."

Nefarious evil

This isn't subtle stuff. In a blatant nod to George Orwell's 1984, Vendetta's U.K. is ruled by Chancellor Sutler, a vituperative "deeply religious conservative" seen Big Brother-like on a large television screen (and played by John Hurt, 1984's ill-fated everyman). Sutler's ruling philosophy is the politics of fear. "We will show him what terror really looks like," he screams after V's arrival onto the scene.

Sutler's reign also involves media spin and propaganda, a la the Newspeak of 1984. When events begin to spiral out of control, Sutler declares that the government must make the people realize "why they need us," followed by panic-inducing reports of everything from civil war to avian flu. Sound familiar?

Like any classic comic superhero myth, Vendetta also provides an origin story for V, which is gradually glimpsed in flashbacks and a police investigation into his past. And not unlike the secret nuclear-testing that spawned Godzilla, or the class oppression that cultivated so many angry inner-city zombies (see Land of the Dead), V's transformation into a vengeful killer was the result of a crass abuse of state power involving (spoiler alert) a government plan to create a biological weapon with the help of a nefarious pharmaceutical company. If the political notion of "blowback" ever needed a poster child, V would be it.

And V for Vendetta isn't just about political revolt -- it's also about sexual revolution. After being captured and placed in an interrogation cell, Evey reads letters from a fellow prisoner, Valerie, a young woman who came out of the closet and embraced a forbidden lesbian love affair that landed her and her lover in similarly brutal confines. Another sympathetic character conceals his homosexual identity. And however ruthless V may be, he too is sexually ambiguous -- an effete hero who hides behind a mask, loves The Count of Monte Cristo, melancholy music, cooking and dancing ("A revolution without dancing is a revolution not worth having," he tells Evey, paraphrasing the slogan of anarchist Emma Goldman as he yearns for a whirl).

Sexy politics

The movie's sexual politics are also brought to the fore in a quotation heard over the end-credit music "This is no simple reform," a woman says. "It really is a revolution. Sex and race, because they are easy and visible differences, have been the primary ways of organizing human beings into superior and inferior groups and into the cheap labor in which this system still depends." The voice belongs to feminist powerhouse Gloria Steinem.

Above all, "Vendetta" should be enjoyed as the first true anarchist movie Hollywood has ever made. Film historians speak fondly of the paranoid cycle of American cinema in the 1960s and '70s (The Manchurian Candidate, Three Days of the Condor, The Parallax View) or the countercultural, anti-heroic outlaws of Bonnie and Clyde and Badlands, but nowhere in mainstream U.S. cinema -- and certainly not post-9/11 -- has there been a pop-culture phenomenon that advocates not only overthrowing a corrupt government, but blowing it up. As the film's tagline states "People should not be afraid of their governments. Governments should be afraid of their people."

Anthony Kaufman has written about films and the film industry for the New York Times, the Chicago Tribune and Utne magazine.  [Tyee]

27  Comments:

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  • ModernSerf

    6 years ago

    Comments on "V for Very Political"

    Quote:
    Conceived by the brothers

    I just thought this was a disservice to the great story teller Alan Moore.

  • IAMC

    6 years ago

    Hollywood sucks, long live The Passion of The Christ by Mel Gibson. He exposed the leftist hierarchy of this godless town.

  • verso

    6 years ago

    This isn't subtle stuff.

    You can say that again.

  • oilbertan

    6 years ago

    IAMC: How about, "Hollywood sucks, long live Team America, World Police". That is the last movie I have watched and, save for Princess Bride" will likely be the last I ever watch. A bunch of narcissictic, America hating morons, imo.

  • freemadc

    6 years ago

    At first I was excited by the revolutionary & overtly political message of V, but after thinking and talking about it with friends it really started to annoy me.

    As mentioned at the beginning of this piece, V is very 1984. And that's too simple a message for our troubling and complicated times. V presents an absolutely evil government (headed by one particularly evil person). Once this person/government is overthrown, everything is sunshine and roses.

    How easy. How fantastic. How utterly simplistic and false.

    The left too often falls into the trap of placing all blame on the US, and Bush - evil personnified. If only we could get rid of him/them, all would be well, we say. It makes for a convenient scapegoat, doesn't it?

    But look around. Society is complicit in so most of the injustice and exploitation (of people and the ecosphere) that occurs. Fear isn't the only reason people don't speak out. It isn't even the main reason. It's complacency, it's comfort, it's our love of profligate consumption. In my mind, Huxley's Brave New World has much more to teach us today than the facile narrative presented in V.

    Keep fighting regressive and oppressive governments and their policies. But take some responsibility. The problem is with us, not them. V too easily absolves us of responsibility. We shouldn't let it, or Hollywood, or ourselves off the hook so easily.

  • jesterjogger

    6 years ago

    Vvvvvvvvvvvvvvvvvvvvvvvvvvvvv

    Vvvvvvvvvvvvvvvvvvvvvvvvvvvvv

  • peefer

    6 years ago

    Oh yeah, freemadc, you hit the nail right on the head. V is far too symplistic in identifying the source of evil.

    I'm still waiting for Hollywood to find out where evil resides. I'm not holding my breath. Here's a clue: It ain't the White House.

    I've seen the enemy and they is us.

  • Vortigern

    6 years ago

    I don't think it was that simplistic at all. While the government was clearly portrayed as the major source of evil, the people were complicit in its rule by virtue of their own complacency. They watched the propaganda, they said "Bollocks", they went back to whatever they were doing before.

    The solution to that government wasn't simply to blow up a building, it was to unite the people in an idea, and to rouse them from their own apathy. Yes, it took a terrorist to do that, but the people themselves still had to be out on the streets for him to win.

  • nquastel

    6 years ago

    I liked the movie and everything but it was about as "revolutionary" as all the East European revolutions in the 1990s. Remember, according to very stade liberal political theory democracies get "revolutions" every 4 or 5 years. And the government in V was so obviously the sort of comic book fascism which democracy is against. So I saw the film as rather supporting rather than criticizing most of the systems we now live in.

  • Former BC Boy

    6 years ago

    I recently saw "V for Vendetta". It was a good movie, but was it revolutionary? I don't think so. It does raise questions about politics and the world we live in, but it is still tailored to a popular audience so at times it's a little simplistic.

    Lastly, to oilbertan...

    Quote:
    "Hollywood sucks, long live Team America, World Police". That is the last movie I have watched...

    Yes, Hollywood does suck. But I should tell you that the South Park boys movie "Team America" was not just critical of Michael Moore, the Hollywood left and Kim Jeong-il.
    It was also very critical of American foreign policy and the shoot first and ask questions later philosophy.
    The South Park boys make fun of left, right, the middle, and all points in between!
    Maybe you should wait before you appropriate it for your right-wing cause!

    Kevan Hudson
    Suncheon, South Korea

  • IAMC

    6 years ago

    Hollywood movie moguls are some of the lowest forms of life there is.
    They put down America because that's the easiest market to suck dollars from, and they make millions of dollars living in the American dream.
    We see a distorted view of America, and many believe it to be true.
    It isn't true. If it was, these moguls would be working in another market.

  • thomas49

    6 years ago

    Saw it a couple of weeks ago and it was probably one of the worst pieces i have ever sat through.
    When i found out it was from a comic and aimed at the gen x or the unknown generations,i understood why it was so bad.
    What a vacuous piece of tripe.

    the only revolution i could think of during the film was the one in my tummy when i was thinking about all the godamn money i wasted.

  • Bailey

    6 years ago

    Most revolutions have been transmitted to the masses in songs, jokes and rumors. Movies and comics seem perfectly appropriate vehicles for delivering simple messages to peoples consious and subconsious awarenesses.

    I object to peefers assertion, misquoting Pogo above;

    Quote:
    I've seen the enemy and they is us.

    It just isn't true. There are real enemies, but really quite few of them. Compared to the great majority of people who just go about living their lives the only way they can.

  • apollyon

    6 years ago

    Quote:
    I don't think it was that simplistic at all. While the government was clearly portrayed as the major source of evil, the people were complicit in its rule by virtue of their own complacency. They watched the propaganda, they said "Bollocks", they went back to whatever they were doing before.

    The solution to that government wasn't simply to blow up a building, it was to unite the people in an idea, and to rouse them from their own apathy. Yes, it took a terrorist to do that, but the people themselves still had to be out on the streets for him to win.

    ditto.

    It was a good movie, not great. I like how it steps on the nerves of the ideologues here especially... seems it offends the lefties and the righties...

    Perfect.

  • epiphany

    6 years ago

    Perhaps this movie wasn't exactly accurate in it's portrayal of the modern day government, but it was a valiant attempt. Consider the fact that a great deal of the movies of today attempt to skip this subject, to be subtle and shy away from anything that could be seen as an out and out show of pointing fingers.

    The fingers are pointing at the wrong place, sure. But if they had gone into detail and had a government full of complexity, of good people who were being controlled, they would have been coming far too painfully close to the truth. It's dangerous to be truthful, even more so if you try to be so subtly. By being such a blatantly black and white movie disguised as one in shades of grey, it provoked a good deal of thought without seeming to understand or perceive enough to cause the government any great show of alarm.

  • thomas49

    6 years ago

    "i like how it steps on the nerves of the ideologues here,both left and righties"

    Geez sherlock...ya think ,some people have good taste and cannot be sold a piece of shite.

  • allan

    6 years ago

    Thank you IAMC for clarifying where to get your intellectual stimulation from.

    Mel Gibson?

    Wow!

    You must have quite the collection of super hero comic books in your library as well.

  • apollyon

    6 years ago

    Quote:
    Geez sherlock...ya think ,some people have good taste and cannot be sold a piece of shite.

    Well, we have your pedestrian point of view and then we have Roger Ebert's who gave it 3/4 stars and:

    Quote:
    With most action thrillers based on graphic novels, we simply watch the sound and light show. "V for Vendetta," directed by James McTeigue, almost always has something going on that is actually interesting, inviting us to decode the character and plot and apply the message where we will... I have not read the original work, do not know what has been changed or gone missing, but found an audacious confusion of ideas in "V for Vendetta" and enjoyed their manic disorganization. To attempt a parable about terrorism and totalitarianism that would be relevant and readable might be impossible, could be dangerous and would probably not be box office.

  • thomas49

    6 years ago

    roger ebert ? you mean that humungous walking container of popcorn.

    yeah,there is a real film afficianado,if he says it's good,the great unwashed ,must listen. WOW!

  • guanolad

    6 years ago

    Peefer said: "I'm still waiting for Hollywood to find out where evil resides. I'm not holding my breath. Here's a clue: It ain't the White House.

    I've seen the enemy and they is us."

    V's address to the nation says exactly this - not blaming the Chancellor as much as those good people who stood by and did nothing in return for the illusion of "security."

    Not as good as "Brazil," but pretty good.

  • mightyfastpig

    6 years ago

    I made a point of reading the original graphic novel before seeing the movie. (Spoilers ahead)

    "V for Vendetta" is an indictment of fascism, with the premise that it is a toxic environment for everyone, turning people into either victims or victimizers. Women, for instance, are forced to be either wives or whores, and there is no functional difference between police and street gangs.

    The society of the movie, at least superficially, looks comfortable, and a major plotline is showing the genocide and deceit it was built on. As an artistic decision, I can support this, because authoritarian government today is more about "bread and circuses" than "a boot crushing a human face forever".

    However, the graphic novel is also about the hero myth: a powerful individual who will do something to end this hideous evil. But V in the original is far more morally ambiguous, more a supernatural being of righteous vengeance than a conventional hero.

    The graphic novel ends with V having completely "smashed the state" and reduced society to bands of people huddling around fires, hoarding food and guns. His hope is that benevolent anarchism will spontaneously evolve from this, but he considers it worthwhile to break humanity out of a totalitarian society. This is the same theme Moore explored in his later "Watchmen": the person we place above humanity to save us might make decisions we don't like.

    All of this was just barely touched on in the Wachowski's script. When V arranges a mass rally against the military at the end of the movie, which could easily have ended in a bloodbath, I thought of Neo and Trinity slaughtering the guards who had no idea of the conflict they were in.

    To be sure, "V for Vendetta" is an anarchist film, but it doesn't seriously discuss the cost in blood of revolution.

  • tcahill

    6 years ago

    Quote:
    humungous walking container of popcorn.

    !!!!

    Hilarious. Did you come up with that?

  • Steve P

    6 years ago

    Quote:
    Above all, "Vendetta" should be enjoyed as the first true anarchist movie Hollywood has ever made

    Fight Club?

  • Alcibiades

    6 years ago

    Ultimate Fighting Championship?

  • darcy.mcgee

    6 years ago

    Quote:
    Conceived by the brothers

    Umm....V for Vendetta was coceived by Alan Moore, not the brothers Wachowski.

    Not meant as an indictment of the movie, rather an indictment of the journalism.

  • Coyote

    6 years ago

    Just saw V. I might nitpick some with its underlying "ideas" presumptions, but basically thought it was GREAAAT!

    What you see is the society of the now to "not distant" future, post the collapse of The Empire, post Iraq, having evolved out of the IMAC neocon/fascist mindset.

    Being one of those who think the V view of the world is more or less an accurate "fictional" depiction of what is evolving out there within current global capitalism, I think it also speaks to many of the issues that are going to have to be addressed by "the left", if you will, including the "propaganda media", "FEAR" and "daily grind" numbed disengagement of "the working class masses". They don't really think "the system" can be successfully challenged. Which is part of the responsibility of radicals. To demonstrate that it can be successfully stood up to-, where there is a "WILL" to do so.

    A more accurately analytical or "cerebral" product might well be possible, but for the combination of cerebral and emotional appeal and impact, at a rather "artsy" level, it works. It has great eye and brain appeal, I thought. Two thumbs up for V.

    Or to echo jesterjogger, VVVVVVVVVVVVVVVVVVVVVV
    VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
    VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV!

    Besides, it will piss the religious and Neoconazi zealots off no end, which is a desirable pursuit in and of itself.

    Bring on the revolution, says I. :-)

    Which is the other thing this movie helps to make clear: It is the Neoconazi agenda itself, currently underway everywhere within capitalism, that lays down the preconditions for The Revolution. We radicals don't really do it. They do.

  • bob the cat

    6 years ago

    up the Rev. coyote...up the Rev.

    on V....he sure blowed it up reeeeal good huh?

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