Artsculture

'Harry Potter and the Deathly Hallows Part One'

Our young heroes are on their own, feeling their way through a dark and unfocused storyline.

By Steve Burgess, 19 Nov 2010, TheTyee.ca

Harry Potter cast in 'Deathly Hallows Part One'

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This week's big story: an engagement with British royalty. Long awaited, too. Harry Potter 7, a.k.a Harry Potter and the Deathly Hallows Part One, hits theatres today. William and Kate, take a helpful tip from the Potter party: no Death Eaters at the reception. Spoils the mood.

And the mood in Potterville these days is mighty grim. A darkening trend has crept over the story as it has progressed. But Deathly Hallows Part One, the penultimate film in the series based on J.K. Rowling's books, is the most sombre yet. The comforting confines of Hogwarts and the reassuring presence of Dumbledore are gone. Our heroes Harry, Ron, and Hermione (Daniel Radcliffe, Rupert Grint, and Emma Watson) are in the big, bad world alone, feeling their way in the dark. This time around they spend a remarkable amount of screen time simply being lost and hopeless.

Sounds bleak, don't it? But that mood highlights one of the series' strengths. The Potter films have embraced emotional complexity to a degree that is admirable for a blockbuster film serial. Rowling and the filmmakers have used the advantages of a captive audience wisely -- they've stretched things beyond the standard heroic quest. This time around things get truly grown up thanks to the the long-dormant issue of sexual jealousy. Evil forces torment Ron Weasley with the question many fans have surely pondered: why would the lovely Hermione pick him over Harry, a.k.a. Mr. Chosen-One-on-Campus?

The plot widens

Deathly Hallows Part One contains an odd but poetic scene -- a brief, disconnected interlude in which Harry cheers his depressed friend Hermione by engaging her in an impromptu dance. It's a quiet tribute to male-female friendship, and another demonstration of what you can do with characters the audience has come to know over a lengthy dramatic journey. A later animated sequence (directed by Ben Hibon) also stands out as evidence that the Potter franchise can draw on the finest talents in the industry.

And yet with all that, Deathly Hallows Part One is the most frustrating Potter movie since number two, the forgettable Chamber of Secrets. Most of the reasons have to do with plotting. Finishing a long saga is always the trickiest part, and while this film is not the end, it is the beginning of the end. On the evidence of number seven there's reason to be concerned about the forthcoming finale of this cinematic octet.

The Potter saga has inevitably shown parallels with other fantasy epics. This installment has Lord of the Rings on it like perfume in a cramped elevator. Just as Frodo and Sam carried the insidious ring, the trio of young wizards must carry a piece of jewelry that poisons the minds of its handlers. The occasional appearance of a Gollum-like creature (named Creature) doesn't help either.

Not having read the books, I have to assume that plot issues can be laid directly at the feet of Rowling. And in this film the plotting is beginning to seem slapdash. Earlier in the series new developments just meant more threads, more layers of complexity. But when new things keep coming in the next-to-last film of the series it starts to look like desperation. Things we've never heard of before suddenly become key plot points. At this point in the story, shouldn't the major elements already be in place?

One to go

Deathly Hallows Part One places a formerly minor character in a key role, one that is expected to provide the movie's emotional payoff. It doesn't work. More than that, it feels like a major failure of nerve. Rowling, or the filmmakers, needed to step up to the plate and involve a central character in that dramatic development, just as they did last time around with Dumbledore.

Failures of nerve seem to be the rule here. Too often the sense of foreboding and menace lovingly crafted by director David Yates and his team goes off like a damp squib thanks to the insipid source material. There's a certain lack of evil prowess on display. Terrifying is as terrifying does.

All may still be well. The Potter series has frequently offered proof that Hollywood (British division) can occasionally get things right. It's been a theatrical mini-series unlike any before it. Perhaps Deathly Hallows Part Two will wrap things up with a suitable burst of movie magic. Let's hope there's a wizard app for that.  [Tyee]

18  Comments:

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  • Chris H

    1 year ago

    One book ... two movies.

    Deathly Hallows is the only Harry Potter book that I read. I will be interested in seeing how they made this book into two movies since the book had huge portions dedicated to having the main characters sitting a tent talking about their feelings.

  • Sash

    1 year ago

    Kind of obvious the author

    Kind of obvious the author hasn't read the books...it's "Kreacher" and a squib, in Harry Potter language, is a magically-handicapped witch or wizard. But the assumption about the meandering plot in the book is spot on.

  • Mathieu Y

    1 year ago

    Why should the author need to read the book?

    Apart from Jk Rowling's series of novels being best selling childrens book that have become common lexicon amongst adults, there is no reason to expect Steve Burgess to have read the books in order to review the movie. It is not as if this was mandatory academic reading, or even much more than a subcultural norm.

    However, I have noticed many reviews of this movie come from fans who are glad to see the film rehash the plot of the story so well. Kind of odd that the sole purpose of this entertainment is to be a visual retelling of a story that's already familiar. Then again, Disney.

  • Bailey

    1 year ago

    To be fair

    Most literary series, children's ones in particular, suffer in the later episodes from the problem of keeping consistent with the earlier stories. The OZ stories come to mind, and Mary Poppins. Milne didn't do badly with Winnie the Pooh, but he wasn't bound to characters with well developed histories, and even he had to change genre from prose to verse.

    Ms. Rowling had blocked out the plots for the whole series, she says, before writing any, but the work became so popular, and then Hollywood moved in before the last stories were written. I think Hundreds of Millions of Yankeebucks will tend to add a certain panicky gravitas to the most promising premise.

    Add to that the fact that she was so conscious of the fact that, as she was writing her audience was growing up. Year by year, along with the characters in the stories. This will not be true of generations to follow, who may read them out of order, or piecemeal.

    The first number was marvelous, a read aloud masterpiece for people with children to entertain. The next four engaged those children increasingly, to create the famous frenzy we all witnessed. But the task of winding it all up, with editors from tinseltown calling the shots may have just been too much for any mortal author to do, and still keep up the poetry and the excitement.

    Besides, by now, the kids who loved it first are kids no longer, much like the actors who play the parts of the heroes of their under-the-covers flashlight fantasies.

  • dave49

    1 year ago

    Steve, you have not read the books?

    Really Steve, you can only review the movies for the fraction of what they can present from the book.

    I started reading the series to find out what my son enjoyed so much. I read them all, he never got to #7. What I enjoyed about the books was all that angsty internal dialog of Harry's, which cannot be successfully put in a movie.

    Further, as the series progressed, the books got longer and longer, the movies stayed about 2 hours. I've only seen movies 1 thru 3, and found #2 left out too much of the book for my liking.

    If I see this one, it will be at home on DVD or Blu-ray after I see 4 thru 6.

  • snert

    1 year ago

    Fans will take the good with the bad.

    They don't care. It's a unique experience to wade through all the books then all the movies or mix them up a bit, for that matter.

    Watch a couple of movies and the books come alive. Who cares if it's somebody else's imagination that fills in all the details.

  • make_up_another...

    1 year ago

    I'm in my 30s, but I can

    I'm in my 30s, but I can still enjoy it. Mostly it brings nostalgia for when I was a young reader and movie watcher. If this had come out in my childhood, I'd have loved it. So I can certainly enjoy it now and be a kid for a while.

  • Frank

    1 year ago

    Steve

    If you ever read the books you're going to feel kinda embarrassed about your reviews of these.

  • Steve Burgess

    1 year ago

    Frank

    It would certainly be embarrassing if I had confused "movie" with "book." That would be a very fundamental screw-up. But I'm pretty sure I kept those two straight.

    There's a lot of joy to be gained from reading. I highly recommend it. But many times while watching the film series I've been glad I never read the Potter books--it allows me to come to the movies fresh and consider them for what they are. What they are is films.

    But even if your attitude is the right one, the ones who should be embarrassed are the exhibitors--they have consistently failed to stop patrons at the theatre door and make sure they brought their books along.

  • Frank

    1 year ago

    Steve

    I appreciate the response. My concern wasn't with your review of the movie itself, I understand that, it was with your belief that the studio strongly influenced the plot of the books. Any problems in the movies, and there are a lot, aren't at all due to the books.

  • Steve Burgess

    1 year ago

    Frank

    So are you saying the plot problems do lie in the books? This is one area that I certainly am curious about. My impression has been that the studios dare not mess with the plots at all for fear of reader outrage. What the filmmakers can provide and enhance is mood, a certain tone, imagery, perhaps some character development and a lot of improved and updated dialogue. But while watching I can only guess about who is responsible for what.

  • Frank

    1 year ago

    Steve

    There were very few real plot problems in the book but to be frank, I can't understand how a person watching only the movies wouldn't be confused. There is so much in the books that has been deleted or altered in the movies. The first movie was well done and that is because the book was pretty short. But as the books got longer the movies didn't so what you had was a situation where the movies concentrated on a few highlights and then spent half their time on the book's climax.

    One plot "problem" that I thought of when I read book 7 was that the tales Beedle the Bard and the story of the elder wand etc wasn't mentioned previously. Obviously that was because the Potter books had thousands of people going over the books with a fine tooth comb looking for a clue and JK was trying not to give anything away. Whatever, I think it should have been mentioned.

    But the main thing was that as you say, those who watch only the movies don't see the importance of the character that dies in the 7th movie. In my opinion he and Hermionie both are examples of what Harry's real weapon is, love. Which is what Dumbledore always said.

    Even when Ron leaves them Hermionie stays at Harry's side. Just like early on in the series when Harry was the only person who wanted to be her friend. He didn't care that others disliked her for being either a "mudblood" or a know-it-all, he befriended her and has shown her love and loyalty throughout the series. Just like with the character that dies, he befriended him, has been loyal to him and now when Voldemort is all-powerful, his death-eaters are in control, Harry is most vulnerable, he has all these characters that stand by him and are willing to help him.

  • Steve Burgess

    1 year ago

    Interesting!

    That suggests plot problems I ascribed to Rowling should actually be laid at the feet of the filmmakers--apparently they have failed to devote adequate screen time to particular plot threads.

  • Frank

    1 year ago

    Steve

    Exactly, that was my point, sorry I couched it in such a vulgar way. I should have added a smiley or something to let you know it was that particular point of your review and not the whole thing I was disagreeing with.

    Take away all the magic and such its actually a really simple kids story. Be good even to unpopular people and treat them the way you would want to be treated and maybe one day they'll be there for you when you need help or a friend.

    Unfortunately in my opinion the movies have ignored a lot of that plot and instead concentrated on all the magic, the battles and cool things that make up that world.

    I thought #7 was better than 3,4,5 and 6 because they've given more time to the little things, like Harry wanting to dig that character's grave instead of using magic. Even in death he wants to show his love and respect for that character. And of course the non-sexual but unbreakable bond between him and Hermione that is based on friendship, trust and respect.

    I should add that I have two daughters who loved the Harry Potter series and I read all 7 books aloud, at a rate of 2 chapters a night. We also discussed all the various theories posted on Mugglenet at many a dinner as we'd wait for the next book to come out :)

  • Steve Burgess

    1 year ago

    Frank

    Well, I got a little snippy too, didn't I? Seems to go with the online territory.

    My mom read the Chronicles of Narnia aloud to us kids. It's an experience that makes an indelible impression on a kid.

  • snert

    1 year ago

    Recapping

    The problem with a series of books like this where there are 6 sequels is recapping previous story lines that are germane to the current plot line.

    I think Rowling did a pretty good job of handling this issue in the books but it becomes much more difficult to do when you get down to the last movie in the series. As Frank mentions it's not hard to start losing threads towards the end especially when there are time constraints on the presentation.

    I haven't watched the last one yet. I was going to take a grandson to see it but I think I'll pass as it would be the first movie he would have watched and therefore completely out of context.

  • widdershins

    1 year ago

    To read or not to read

    Seems to me that Harry Potter is a rather unique institution in that ninety-eleven percent of the people who see the movies have read the books as well and I would`ve thought that in order to accurately evaluate this latest offering in the cinema, reading at least the book it is taken from would enhance the reviewers of what he is seeing as it does regular audience.... just a thought

  • Steve Burgess

    1 year ago

    widdershins

    As I was saying earlier, movies really must stand alone. If the movies can't stand alone from their source material they shouldn't be made. The points Frank was making certainly prove that reading the books would give me more inside knowledge of the stories. That would be worthwhile on a personal level but harmful, I think, to a film review. The films aren't books and I'm not writing book reviews. I think as a film reviewer I'm much better off not having read them. Perhaps I can read them later.

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